Volume I is loading...

True And Functional · Volume I is specifically designed for larger screens. For the complete experience, we recommend viewing on a desktop or laptop.

01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
01
Subdued Colours.mp4
02
Extended.mp4
03
Politics V Economics 1.png
04
Politics V Economics 2.png
05
JOAQUIM CHISSANO.png
06
APARTHEID HAS A FRIEND AT CHA$E MANHATTAN.png
07
Titchfield Hotel.png
08
Untitled (Polyptych 1).jpg
09
Untitled (Polyptych 5).jpg
10
Untitled (Polyptych 6).jpg
11
Miriam Makeba Appears as Petitioner Before Apartheid Committee (with Mr. Karseno Sasmojo).jpg
12
Mairuth Sarsfield at the United Nations in New York.jpg
13
Carl Stone, “Constituents, Candidates, and Polls” in Politics versus Economics: The 1989 Elections in Jamaica.jpg
14
T-MAC.jpg
15
Michael E. Veal, “Every Spoil Is A Style: The Evolution of Dub Music in the 1970s” in Dub: Soundscapes and Shattered Songs in Jamaican Reggae.jpeg
16
Pyroclastic flows at Mount Pelée.jpeg
17
KID CRYING.jpeg
18
GOATSKIN.jpeg
19
Wynter Sylvia Maskarade_A_Jonkunnu_Musical_Play 1973.pdf
20
Brathwaite Kamau The_Making_Of_The_Drum 1968.pdf
0:00
/
22:06
Tracks 21-36
Project

True and Functional: Volume I, a project by Timothy Yanick Hunter, is supported by Oakville Galleries and the Toronto Biennial of Art on the occasion of their respective exhibitions, Timothy Yanick Hunter: Collapse and Incompletion at Oakville Galleries and Ngozi: We Might Listen For the Shimmerings, curated by Chiedza Pasipanodya as part of the Toronto Biennial of Art 2022.

Collapse and Incompletion at Oakville Galleries is on view from June 3 to September 2, 2023 [↗]

True and Functional: Volume I is commissioned by Oakville Galleries with the support of Partners in Art.

Supporters
Website Production

Artworks and sound by Timothy Yanick Hunter,
Audio mastered by Easy Life Studio.

This website was designed and developed from scratch by Elina Tanaka and Rupali Morzaria.